Entanglement magazine

Entanglement MagazineEntanglement magazine increases awareness of developments at the intersection of the arts, technology and sciences and how this catalyst impacts society not only today but our near future.

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China Blue’s Catastrophic Listening

amesIn “Hearing the Unheard” a “Sounding Out” series Guest Edited by Seth Horowitz, I talk about cataclysmic sounds we might not survive hearing and my experiences recording simulated asteroid strikes at NASA’s Ames Vertical Gun Range. Read more here.

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Julie Freeman Looks at Science, Technology and Nature

Freeman_Lepidopteral_singleJulie Freeman’s work spans visual, audio and digital art forms and explores how science and technology changes our relationship to nature. Often working collaboratively, she experiments in transforming complex processes and data sets into sound compositions, objects and animations. For the past 15 years she has focused on questioning the use of electronic technologies to ‘translate nature’ – whether it is through the sound of torrential rain dripping on a giant rhubarb leaf; a pair of mobile concrete speakers who lurk in galleries spewing sonic samples, by providing an interactive platform from which to view the flap, twitch and prick of dogs’ ears; or using scientific techniques to misguide an audience to manipulate their senses.
Read more here.

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Haroom Mirza

MIRZ120013_620x320_01Museum Haus Konstruktiv and the Zurich Insurance Group are delighted to honor this year’s winner of the “Zurich Art Prize” 2014, Haroon Mirza (b. 1977 in London). This Anglo-Pakistani artist is the seventh artist to receive this award, which was established in close cooperation with the Zurich Insurance Group. The prize money of CHF 80,000 is put to use in a solo exhibition, specially conceived for Museum Haus Konstruktiv. Read more here.

Through January 11, 2015
Museum Haus Konstruktiv
Zurich, Switzerland

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Lee Boroson: Plastic Fantastic

“Canopy”, 2010

“Canopy”, 2010

Lee Boroson’s work begins with ideas of nature, which he mediates between the landscape as culture as opposed to notions of the outdoors as “wild” or “untamed.” To achieve this goal, Boroson creates large-scale immersive installations using inflatables, fabric, and light to create phenomenological experiences for his viewers, based on the elemental forces in nature, from air, fog, and smoke, to fire and the cosmos. Boroson’s installations are embodied and ephemeral within the space of the museum. Read more here.

Currently on view at
Mass MoCA
North Adams, MA

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Dive into Park Avenue Tunnel

Park AvenueJana Winderen has transformed the Park Avenue Tunnel at 33rd Street into a sound art installation titled DIVE. The piece is designed to recreate the experience of diving into the ocean depths, with audio recordings from deep underwater capturing sounds rarely heard by the human ear. The artist enlisted Tony Continue reading

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Otto Piene’s Sky Art

Olympia Rainbow, 1972

Olympia Rainbow, 1972

On July 17, 2014 Otto Piene an innovative artistic visionary died while in a taxi on his way to the Neue Nationalgalerie to continue preparations for the scheduled Sky Art event meant to mark the launch of the entire program. A posthumous homage, held on July 19th consisted of three illuminated air sculptures Berlin Superstar (1984), Paris Star (2008), and Continue reading

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Polar Eclipse by Tavares Stachan at the Venice Biennale

The Distance Between What We Have and What We Want (Arctic Ice Project), (detail), 2004-06

The Distance Between What We Have and What We Want (Arctic Ice Project), (detail), 2004-06

In this exhibition at the Bahamas National Pavilion at the Venice Biennale, Stachan interested in migratory, and the cross-culture nature of contemporary artistic production explores often-invisible shifts in cultures, physical environments, and recounted histories over both space and time, in the wake of globalization and narratives of progress.

This artist is known for “The Distance Between What We Have and What We Want” (2006), which consisted of a 4.5-ton block Continue reading

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Architects Turn 50,000 Plastic Bottles Into A Dreamy, Cloud-Shaped Shelter

Cloud, studio KCA-CHANG-900In an attempt to highlight America’s ongoing battle with consumption and waste, and provide a ethereal take on sustainable design, the firm built “Head in the Clouds.” Using 53,780 recycled plastics bottles — approximately the amount thrown away in just one hour in New York City — STUDIOKCA created a dreamy, cloud-shaped structure capable of providing shelter for 50 people. Although it was exhibited at New York City’s Governor’s Island last year it is a stark reminder of plastic waste in water bottles alone.

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The St. Petersburg Paradox

Image: Marcel Duchamp, Monte Carlo Bond, 1938

Image: Marcel Duchamp, Monte Carlo Bond, 1938

In the St. Petersburg gamble, the house offers to flip a coin until it comes up heads. The payoff doubles each time tails appears, with this compounding stopping and payment being given at the first heads. By conventional definitions, the St. Petersburg gamble has an infinite expected value; nonetheless, most people share the intuition that they should not offer more than a few Continue reading

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“Different Ways to Infinity” an Interview with Felix Luque Sanchez by China Blue

"DWI Modular" Photograph by Gridspace

“DWI Modular”
Photograph by Gridspace

Different Ways to Infinity was part of the exhibition PHYSICAL/ITE-BIENNALE organized by the International Digital Arts Biennale and held  this year from May through June at the Musée d’art contemporain de Montréal, Canada.

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