Entanglement magazine

Entanglement MagazineEntanglement magazine increases awareness of developments at the intersection of the arts, technology and sciences and how this catalyst impacts society not only today but our near future.

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[KE] 3 by Zimoun

Zimoun, Installation View

Zimoun, Installation View

[KE] 3 is a series of three collaborative solo exhibitions in New York that feature kinetic
sculpture by Swiss installation artist Zimoun.

With an extreme sensitivity to location and rhythmic potential, Zimoun produces works that evoke control, humor, absence, and nature. Highly ordered systems of movement are derived from simple and low-tech means. His projects can easily be compared with mathematical formulas or a science experiment, as he demploys wit and a keen observation of space and sound. In this spirit, [KE] 3 is a series of exhibitions that takes artistic license in considering “KE”, a notation found in physics equations that describe kinetic energy. Continue reading

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Atmosphere in White by Artist Nicola L.

Atmosphere In White-Liverpool

Atmosphere In White-by Nicola L.

Nicola L’s Atmosphere in White is an exhibition which spans five decades of functional objects and furniture, and conceptual sculptures by the artist. This version of Atmosphere in White is a re-installation of the work presented at Liverpool’s Biennale in 2014 and curated by Anthony Huberman. Gary Indiana, critic and writer, observes that, “Nicola lives in a human universe, a world constructed by humans, and her work reclaims this humanity by reminding us at every point that our constructions emanate from within the envelope of flesh we inhabit.” Continue reading

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Clint Fulkerson’s tesselation drawings

Fulkerson Mural

Fulkerson, Mural

Clint Fulkerson is an artist from Maine who began his career with a degree in metal smithing. As a metalsmith he said he learned to become slow and precise which was the opposite to the painting he was doing at the time with broad gestural strokes. This became his new method of working and he now forces himself to “slow down and consider each moment in the present” which allows him to think about the influences of his work that range from science and math to information technology. Continue reading

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Elizabeth Goldring: “An Experience of Seeing”

Goldring2Elizabeth Goldring calls her “Retina Prints” visual poems that interpret what she “sees” with her own blind eyes—“traces of laborious experiences with seeing, memories of woven words and images ‘sitting’ on my retinas.”

Goldring, the Charlotte Moorman Senior Fellow at MIT’s Center for Advanced Visual Studies, uses a medical device called a Continue reading

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Otto Piene & Electronic Art in New England

Otto Piene, Electronic Light Ballet, from The Medium is the Medium, WGBH, 1969

Otto Piene, Electronic Light Ballet, from The Medium is the Medium, WGBH, 1969

The Boston Cyberarts Gallery’s first exhibition in 2015 is Otto Piene & Electronic Art in New England. This exhibition examines Otto Piene and his role as a founding figure in art and technology in New England. From the time that György Kepes invited Piene to be a Fellow at his newly founded Center for Advanced Visual Studies (CAVS) at MIT in 1968, Piene catalyzed several generations of artists in collaborative ventures to harness nature and technology and create interactive, participatory events that engaged the public in spectacular feats of what he coined “Sky Art.” His career marks the initiation of New England as a center of art in technology in Continue reading

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Sensing the Future: László Moholy-Nagy

László Moholy-Nagy at a training of bodily awareness, probably at the Feminist womens’ commune Schwarzerden, unknown photographer, ca. 1925

Sensing the Future. László Moholy-Nagy at a training of bodily awareness, probably at the Feminist womens’ commune Schwarzerden, unknown photographer, ca. 1925

Complex media art of the famous Constructivist and Bauhaus teacher László Moholy-Nagy (1895–1946) is the topic of the exhibition ‘Sensing the Future: László Moholy-Nagy, the Media and the Arts’. As a pioneer of multimedia and conceptual art, Moholy-Nagy was one of the twentieth century’s most influential artists. In addition to his own works dating from the 1920s to the 1940s, the exhibition Sensing the Future, will also be showing works by contemporary artists such as Olafur Eliasson and Eduardo Kac, who have taken up Moholy-Nagy’s ideas – underlining his continuing relevance. Moholy-Nagy explored the interactions between the various media and the senses both in practice and in theory, while experimenting with film and photography. Continue reading

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Engineering’s creative side proposed

Embrace engineering is about the benefits of integrating creative work in engineering to solve the skills crises.

Engineering will benefit from incorporating creative work.

“Embrace engineering’s creative side to fix skills crisis” is an insightful piece written by Judith Burns Education reporter at the BBC News. In this article she reports on how valuable it is for engineering to develop and incorporate the arts.

For this report she interviewed Sir John O’Reilly a fellow of the Institution of Engineering and Technology. In the interview he said “There is nothing as creative as engineering” and that STEM subjects are vital for modern knowledge economy” Continue reading

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Face to Faces – Inhye Lee

Face to Faces, Inhye Lee, "Accordion Face" Interactive installation MaxMSPJitter, Arduino, papier, wood, projection

Face to Faces, Inhye Lee, “Accordion Face” Interactive installation
MaxMSPJitter, Arduino, papier, wood, projection, sound

Face to Faces is an exhibition of Korean artist Inhye Lee who is presenting her work created between 2006 and 2014 at Galerie Charlot. Her work is focused on the human being, and in particular on feelings and emotions. The artist develops her creative process on the face that reveals those sensations. It is the main link among the works chosen here. Playful and poetic, her works always invite us to participate and would not exist without the participation of the spectator. The artist’s work is very delicate, the fineness of the object and the relationship we establish with it masks its’ complex technology. Closely tied to memory and remembrance, her work takes us immediately back to childhood, inspired by objects and toys of the past. We “recognize” them. Continue reading

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Open Tunings-A Sound Art Exhibition

Open Tunings-A Sound Art Exhibition

Open Tunings-A Sound Art Exhibition

Although sound art’s pedigree goes back to the pre-war avant-garde experiments of Futurism and Dada, it has until very recently received sporadic attention in museum and gallery exhibitions. Inherently about time and change, invisible and uncontainable, sound is in fact in some ways antithetical to conventional forms of display. Sound is also interdisciplinary: It overlaps with both the performing arts, including experimental music, and the visual arts, where sound art emerged more fully in the 1960s alongside a range of other process-based forms including body and land art, video and film. Continue reading

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Treemap Art Project

Tree Map Art Project by Ben Schneiderman

Treemap Art Project by Ben Shneiderman

Every AlgoRiThm has ART in it: Treemap Art Project is an exhibition that features 12 works by National Academy of Engineering member and University of Maryland professor Ben Shneiderman. Shneiderman, a renowned data visualization expert, pioneered the treemap technique in the early 1990s. Treemaps are used to organize and visualize hierarchical (tree-structured) data as a set of nested rectangles. In this exhibition, he has stripped the text from his treemaps, allowing viewers to consider their aesthetic properties. The featured treemaps are based on data from a range of topics including global population, popular music, carbon emissions, economic growth, popular TED talks, airport activity, and basketball data. Continue reading

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