Web-Mindspace by Claudia Robles-Angel
WEB-MINDSCAPE by Claudia Robles-Angel is an interactive audiovisual environment, created by light and octophonic sound, in which visitors have the opportunity to use an EEG interface, which measures their brain waves. The installation makes visual and audible unconscious internal reactions that are produced in the subject in front of an external impulse (in this particular case, tweets sent either by the audience or coming from the outside. The installation’s intention is to manifest ways in which the inner-self of subjects/visitors is influenced by the outer-world.
Your all are invited to reach the installation by sending tweets using #webmindscape, your messages will be part of the sound environment in real time. If you cannot come to the opening, please join us by sending your tweets.
WEB-MINDSCAPE, realised during an artist-in-residence period at the IK Foundation in Netherlands as a part of the ‘ENERGIE-WECHSEL I’’ exhibition curated by Dr. Uwe Rueth.
This new installation has been made possible thanks to the support of the IK Stichting and of the Institute of Musicology – University of Cologne
Sunday 24th April 24-May 22, 2016 at 12 pm (CEST)
Vlissingsestraat 239 a
4388 HC Vlissingen
Saturdays and Sundays: 12 – 5 pm (CEST)
or by appointment.
Dr. Stéphanie C. Jeanjean is an art historian and curator who received her MA from Bourgogne University, in France, and her PhD from the Graduate Center of CUNY, The City University of New York. Her recent work has addressed the relationship between the viewer and the screen and the institutionalization of video art and the projected image, and more specifically feminist militant video and Art Sociologique (from France in the 1970s), and more recent relational and new media contemporary art. She has spoken on these topics in various conferences in France, USA (CAA, SECAC), UK (Tate Britain), and South Korea (KAIST). She has published in journals (last in Afterall, London, summer 2011) and has curated screening of early French video at The Kitchen (NY, 2012) and Brecht Forum (Brooklyn, 2014). Her most recent publications are the reprint of her essay: “Disobedient Video in the 1970s: Video Production by Women’s Collectives” in Hilary Robinson ed., Feminism-Art-Theory (2015) and “Socio-Ecologico-Critico Intruders in the History of Early French Video” in François Bovier and Adeena Mey eds., Cinema in the Expanded Field (2016). She currently teaches Modern and Contemporary Art History at Pace University and New Jersey City University and is a Gallery Educator at the Guggenheim Museum in New York.
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