Love Motel for Insects

Love Motel for Insects, by Brandon Ballengée

The Love Motel for Insects is designed to give audiences a better appreciation for local ecology and insect biodiversity. Insects and other arthropods “make up 80 to 90 percent of the species on our planet but there is still so much to learn about them,” Ballengée says. “Unless they are somehow useful to us like honey bees or aesthetically pleasing like butterflies, we don’t normally have reason to be looking at them.”

Ballengée seeks to change that with his outdoor installation that is the antithesis of a Bug Zapper. Instead of attracting bugs to harm them, the installation creates a compelling microhabitat that’s good for breeding. The sculptural canvas can take on interesting colors as female moths release chemical pheromones to attract males and “paint” the piece.

“The surfaces get little tiny dots,” he says. “It’s like arthropod expressionism made by mini segmented Jackson Pollocks.”

Observers don’t have to worry that the Love Motel will attract the riff-raff of bug life. The structure doesn’t lure many mosquitoes, ticks or other insects that bite.

Ballengée built his first Love Motel for Insects in Costa Rica in 2001, where it quickly attracted moths, beetles, and other arthropods – and students who were fascinated by them. Since then, the Love Motel installations have appeared on boats in Venice, moors in Scotland, London roof tops, Korean mountaintops, Irish bogs, summer camps in New England and inner-city bus stops, among other sites. Ballengee recently returned from New Delhi, India where he joined with the Ecohaven Project of Chicago to construct “Econnect Love Motel for Insects” at the outdoor plaza of a busy shopping center.

Based in New York City, Ballengee is working towards a trans-disciplinary doctorate in exploring environmental art and primary research biology with Plymouth University in England in collaboration with the Zurich University of the Arts in Switzerland.

Lafayette College

China Blue

China Blue

China Blue is an award winning international artist whose current work focuses on the brain. Brainwaves of individuals, sensed through her customized EEG software, control the light and sound of an interactive sculpture and also dynamically create personal mind produced drawings. Over the past two decades she has created sound art works that focus on researching and developing data sonification. This has lead to discovering the hidden acoustics imbedded in the iron of the Eiffel Tower, submerged in Venice’s water or encased in NASA’s Vertical Gun chamber. She is also the Founder and Executive Director of The Engine Institute.
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About China Blue

China Blue is an award winning international artist whose current work focuses on the brain. Brainwaves of individuals, sensed through her customized EEG software, control the light and sound of an interactive sculpture and also dynamically create personal mind produced drawings. Over the past two decades she has created sound art works that focus on researching and developing data sonification. This has lead to discovering the hidden acoustics imbedded in the iron of the Eiffel Tower, submerged in Venice’s water or encased in NASA’s Vertical Gun chamber. She is also the Founder and Executive Director of The Engine Institute.
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