Pauline Oliveros (1932-2016) is known for her lifetime spent as an electronic musician creating early improvisations in the 1950’s with Terry Riley,Loren Rush and then working with Ramon Sender and Morton Subotnick to founded the San Francisco Tape Music Center. Later Pauline developed the Deep Listening Institute (now at Rensselaer Polytechnic Institute, NY) which is as much a philosophy as it is a creative practice. Continue reading
Richard Humann’s “Ascension” an Augmented Reality work, is currently being premiered at the Palazzo Mora during the Venice Biennale. “Ascension” is a fascinating exploration of Augmented Reality combined with an introduction of new constellations for Venice’s night sky. I am excited that Mr. Humann agreed to do this interview with The Engine Institute because his work not only engages everyone who has a smart phone with new technology and also because this work changes the skyline of Venice in a unique way.
“Ascension,” 2017, Augmented Reality
View from San Giorgio Maggiore, Venice, Italy
Here is the interview. Continue reading
“Ascension” is a wonderful augmented reality work that Richard Humann a NYC based artist, is presenting for the first time at the Venice Biennale.
This video tells about Mr. Humann’s inspiration behind the work and how augmented reality can transforms the sky into visions for everyone.
At the Unity College Center for the Performing Arts, Unity, ME
Fulkerson, Tenuous Connection,
Acrylic on canvas, 50″ x 34″
Bernagozzi, Cathodic Vernacular, 2016
Analog Futures features work by two generations of artists who emphasize the material and sculptural potential of media technology: Aldo Tambellini, Brandon Barr, Jason Bernagozzi and the collaborative partners known as LoVid. Beginning in the 1960s, Tambellini has played an influential role in video and new media art practice. His manipulated Continue reading
Switzerland is the featured country of the BIAN festival an International Digital Art Biennial in Montreal. This year they will be showcasing the work of talented Swiss artists and collectives.
This third edition of the International Digital Art Biennial of Montreal – BIAN – is focused on the theme of AUTOMATA – Art made by machines for machines. It explores the impact of artificial intelligence in art and culture, with a program of robotic, immersive, virtual reality, augmented reality, sculpture and digital video works. Continue reading
WEB-MINDSCAPE by Claudia Robles-Angel is an interactive audiovisual environment, created by light and octophonic sound, in which visitors have the opportunity to use an EEG interface, which measures their brain waves. The installation makes visual and audible unconscious internal reactions that are produced in the Continue reading
Berlin-based art director Vishal Shah‘s Vellum, is a 3D moving sound sculpture that was recently reviewed by DJ Pagburn at the Creator’s Project. Continue reading
Cerebellar Purkinge Cell Vessel I. Spalted maple, ebony, and copper, 2014
Dr. Peter Snyder is a Professor of Neurology at Brown University. His presentation Woodturning My Way through Brain Research presented by Brown’s Creative Medicine Lecture Series, was about the intersection of biomedical research and his visual art, woodturning. This was an unusual talk from the vantage point of one who is both a scientist as well as an artist. Rarely is the topic of the junction of art and science discussed much less from the viewpoint of an individual who straddles both realms. It began by setting the stage with a short history of visual art in neuroscience. He then Continue reading
MindDraw an interactive work that enables one’s brain to draw was presented at the Rhode Island Maker Fair.
